Middle Aged Canadian Man

The Hut Project is a collaborative art collective based in London. We are currently developing an ongoing radio project to be initiated at the Atlantis Gallery, Brick Lane, London at the end of the month (May). The project involves the broadcast of a message on FM radio. We are hoping to procure the voice of a middle aged Canadian to present this message. We have all the necessary equipment to make a recording and will be able to visit a willing participant at a location (London based) and time that suits them.

So, if you are a middle aged Canadian and are willing to participate in our project please contact info@thehutproject.co.uk

http://www.thehutproject.co.uk

Music In Hospitals: Concerts Administrator

based in Walton on Thames, Surrey.

The charity arranges over 4,000 live concerts a year presented by professional musicians in healthcare centres across the UK. Good computer and admin skills essential, music degree and experience in musical/medical worlds an advantage.

Salary: £22,000. Interviews 13 June 2020 Tel: 01932 252809

Email cv by 22 May diana@music-in-hospitals.org.uk.

Freelance Digital Music and Video Production Tutors Required

Connections Communications Centre promotes social inclusion and cultural diversity through the delivery of media training and education programmes. It is currently delivering:

* Creative activities to young people who are not in employment, education or training. Activities are delivered through partnerships with schools, youth clubs and community groups. Young people are supported to produce music, videos and news items which are then screened on Urban Cre8or TV.

We are currently expanding our database of freelance tutors. If you are interested please send a CV to recruitment@cccmedia.co.uk. Please note that all applicants will need to complete an enhanced police check.

Introduction to Max/MSP

Content
You will learn the basics in designing and developing interactive performance pieces and/or multi-media installations using Max/MSP audio processing software from Cycling 74. Max/MSP can be used in dynamic and elaborate ways not possible with traditional software (i.e. sequencing and notation programs).

Who it's aimed at
The course is designed for composers and musicians who are already working in computer / electroacoustic music but have little or no prior experience of using Max/MSP. The focus will be on the creative compositional applications of Max/MSP. The subject matter will range from a comprehensive grounding in the fundamental operations of the system through to key techniques and strategies that can be used to aid the design of musically creative patches.

Course Prerequisites
Computer literacy is assumed, as is some experience of working in digital audio.

Course structure
This introductory course which has a maximum of 8 participants, will be taught through a combination of lectures and practical work over four weekend days from 12pm to 5pm.

You are welcome to bring along your own laptop computers to use on the course if you wish.

This course will run on consecutive Sundays for four weeks, beginning on 14th May 2006 from 12pm 5pm

Course dates: 14th, 21st, 28th May and 4th June 2006
Fees: £225 (£175 Concessions)
Venue: Lighthouse, 9-12 Middle Street, Brighton

http://www.lighthouse.org.uk/opportunity/Introduction_to_MaxMSP.htm

Research Fellow in Neuroscience of Music

Salary: £19340 to £21640 pa Research Fellow Scale

University of Plymouth
School of Computing, Communications and Electronics
Interdisciplinary Centre for Computer Music Research

Applications are invited for a two-year (24 months) Research Fellow post in the Faculty of Technology at the University of Plymouth, UK, commencing on 01 July 2006, or soon thereafter.

This post is part of a project aimed at the development of models and tools for the application of probabilistic machine learning techniques to the analysis of music and brain imaging data on music cognition, to be developed in collaboration with University College London, Leibniz Institute for Neurobiology (Germany) and Johannes Kepler University of Linz (Austria).

Candidates for this post are expected to have experience with brain imaging data collection (EEG and/or fMRI), preparation and analysis. An interdisciplinary background linking cognitive science or neuroscience with music, and a PhD on an allied discipline, are highly desirable. More information about this project and computer music research at the University of Plymouth can be found at: http://cmr.soc.plymouth.ac.uk

Further particulars and an application form are available from Personnel and Development, University of Plymouth, Plymouth, Devon PL4 8AA, UK
(www.plymouth.ac.uk/vacancies, e-mail: jobs@plymouth.ac.uk, Tel: +44 (0) 1752 232168).

Informal enquiries may be made to Professor Eduardo R Miranda on e-mail eduardo.miranda@plymouth.ac.uk. (Please do make an enquiry if you are not sure whether you'd qualify.)

CLOSING DATE: 12 NOON, FRIDAY 02 JUNE 2020

Call for Submissions ICMC 2006 Late Night Concerts Proposals

ICMC (International Computer Music Conference) in collaboration with ffmup (free form mash-up) is seeking proposals for performances on the late-night ICMC concerts, which will take place as part of the 2006 festival this November 6-11 in New Orleans. In keeping with the theme of this year's conference, "Multidimensionality," we plan to represent a diverse range of approaches and practices in electronic/computer/electro-acoustic music, encompassing improvisation, ambient, noise, experimental electronica, and other forms of live music/sound art. Solo or group sets between 15 and 45 minutes, involving a developed live performance aesthetic are encouraged. These concerts will occur in the evening in a casual, but quiet listening environment, adjacent to a bar. The venue will include a multichannel sound system and video projection. Submit by mail (UPS/ FedEx/DHL or the like! DO NOT USE USPS as regular mail service will likely be delayed due to the situation here in New Orleans!) to:

Tae Hong Park (ICMC Late Night Concert)
102 Dixon Hall
Tulane University
New Orleans, LA 70118

Deadline: June 6, 2020 (Arrival Date not Postmark Date)
Notification: June 19, 2020

You must register submissions online at http://www.icmc2006.org, please go to "Call for Participation." Packages should include an unmarked CD or DVD with only your submission ID acquired from web registration) on the label (details are listed on webpage). Other materials, including description/instrumentation of performance, synopses, program notes, and other pertinent non- biographical information should be included, but otherwise the package should by anonymous. You can submit 1 piece and there are no submission fees.

Contact: Sam Pluta (Late Night Concert Chair) ffmup@icmc2006.org

Call for Participation

SEAMUS Electroacoustic Music Month, 2006

Theme: Celebrating a Global Community of Electroacoustic Music

Focus: Raising International Awareness of Electroacoustic Music

Sponsor an event, organize a concert, create workshops, host a conference or festival and register your events at:

www.seamusonline.org/eamm2.html

Register by July 1st, 2006 and be included on the SEAMUS EA Month poster which is distributed internationally in September.

Be a presence in the vital global community of Electroacoustic Music.

Anyone can register their event, regardless of affiliation.

Call for Contributed Sounds

SoundTransit.nl: A Collaborative Soundscape
Web: http://soundtransit.nl

Umatic.nl is proud to announce the launch of SoundTransit.nl. an online, collaborative soundscape project dedicated to field recording and phonography. On this site, you can BOOK a sonic transit through a wide range of different locations recorded from around the world, or you can SEARCH the database for specific sounds by keyword, artist, country or location. If you are a phonographer, you can also contribute your recordings for others to enjoy. The Creative Commons Attribution license encourages the sharing and reuse of all sounds on this website.

The basis of SoundTransit.nl lies in the international Phonography community. Phonography is the art of recording sounds from the environment around us, with an emphasis on the unintentional sounds which often go unnoticed in our daily lives. The phonographers who
collect and share their work here have interests ranging from recordings of natural or urban environments to improvised situations and soundwalks to the resonance of solid objects or the Earth's atmosphere.

If you would like to join SoundTransit, please send an email with the following information:

To: derek@umatic.nl
Subject: Join SoundTransit
Body: Short description of the sounds you would like to contribute, and a link to your webpage, bio or other personal information.

SoundTransit.nl is a joint production of Sara Kolster, Derek Holzer, Marc Boon and the international Phonography community, with support from De Waag Society for Old and New Media and the Digital Pioneers. Thanks also go out to Gerard van Dongen, Yannick Dauby, Menno van den Bergh, Carsten Stabenow and the Garage Festival for their help and encouragement.

Call for Submissions Disappearing Soundmarks CD

We invite listeners in the UK and Ireland to submit audio recordings of endangered sounds that are special to you, your community or your locality.

For example, an endangered sound might be associated with a cultural event or a natural habitat that is declining or under threat.

The recordings should not exceed 5 minutes and should be submitted on an audio CD. Please ensure that you hold all rights to the material.

Please include your name, the location of the sound, the date and time of the recording and accompanying notes (250 words max.) describing the physical environment, why it is of value to you and what are the reasons for the sound becoming endangered.

Please send submissions to:
Earshot Submissions
c/o Dr John Levack Drever
Music Department, Goldsmiths College,
University of London, New Cross, SE14 6NW, London, ENGLAND

ZKM s International Competition for Electroacoustic Music

Deadline June 15, 2020
Short Cuts: Beauty

The World New Music Festival of the International Society of Contemporary Music (ISCM) is an international forum for the latest artistic projects and technologies in the field of new music. In 2006 the festival bears the title »Grenzenlos/ Without Borders«. It will take place from July 14 till 30, in Stuttgart, Germany. »Grenzenlos« will focus on the unlimited possibilities of communication in today's globalized world, namely cross-cultural dialogue and world-wide communication through new media. The German institution for new music Musik der Jahrhunderte is organising the festival in collaboration with the German Society of Contemporary Music and several national and international partners such as the Center for Art and Media (ZKM) in Karlsruhe, Germany. For »Grenzenlos«, the ZKM is putting on an international competition in electroacoustic music entitled »Short Cuts: Beauty«. More information about »Grenzenlos« on:

www.wnmf2006.de